"Suite populaire espagnole (1990 Digital Remaster): Nana" by Itzhak Perlman, Samuel Sanders was released on April 17, 2006. The duration of Suite populaire espagnole (1990 Digital Remaster): Nana is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Suite populaire espagnole (1990 Digital Remaster): Nana's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman's "Kreisler: Collection" album is number 16 out of 42. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Suite populaire espagnole (1990 Digital Remaster): Nana is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite populaire espagnole (1990 Digital Remaster): Nana by Itzhak Perlman, Samuel Sanders to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Vivaldi: L'estro armonico, Violin Concerto in A Minor, Op. 3 No. 6, RV 356: I. Allegro | Antonio Vivaldi, Itzhak Perlman | A Minor | 3 | 8A | 98 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Jean Sibelius, Itzhak Perlman, André Previn | B♭ Major | 2 | 6B | 98 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Hungarian Dance No. 7 | Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic | A Major | 1 | 11B | 66 BPM |
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