On November 6, 2020, the song "L'art du chant appliqué au piano, Op. 70: L'art du chant appliqué au piano, Op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)" was released by Sigismond Thalberg, Paul Wee. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Thalberg: L'art du chant". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. In terms of popularity, L'art du chant appliqué au piano, Op. 70: L'art du chant appliqué au piano, Op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With L'art du chant appliqué au piano, Op. 70: L'art du chant appliqué au piano, Op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3) by Sigismond Thalberg, Paul Wee having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
24 Children's Pieces, Op. 25: No. 15. Lullaby: Moderato | Viktor Stepanovych Kosenko, Natalya Shkoda | D♭ Major | 0 | 3B | 81 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VII. Lento In C Major | Sigismond Thalberg, Francesco Nicolosi | A♭ Major | 3 | 4B | 106 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: VI. Toccata | Maurice Ravel, Bertrand Chamayou | B Minor | 2 | 10A | 144 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
Sonata in E Major, K. 380 (L. 23) | Domenico Scarlatti, Leon Fleisher | E Major | 1 | 12B | 93 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Nicholas Angelich | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.840339183807373
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