Main Title / Trinity Infinity - From "The Matrix"
Don Davis
The Matrix (Original Motion Picture Score)
3:54 January 1, 1999
BPM
136
Key
E Minor
Camelot
9A

Embed

Share Link

Main Title / Trinity Infinity - From "The Matrix" - Don Davis Information

Acousticness
22%
Danceability
16%
Energy
48%
Instrumentalness
5%
Liveness
17%
Loudness
70%
Speechiness
8%
Valence
4%
Popularity
Loudness
-18.014 dB

Summary

"Main Title / Trinity Infinity - From "The Matrix"" by Don Davis was released on January 1, 1999. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Matrix (Original Motion Picture Score)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Main Title / Trinity Infinity - From "The Matrix"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Main Title / Trinity Infinity - From "The Matrix" BPM

With Main Title / Trinity Infinity - From "The Matrix" by Don Davis having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Main Title / Trinity Infinity - From "The Matrix" Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Finale - From The Finale - From The "Game Of Thrones" SoundtrackRamin DjawadiD Major610B145 BPM
It's Over Now by Kevin KinerIt's Over NowKevin KinerG Major49B76 BPM
Star Trek Generations Overture by Dennis McCarthyStar Trek Generations OvertureDennis McCarthyE♭ Major25B169 BPM
The Human Spirit by Harald KloserThe Human SpiritHarald KloserF Major17B75 BPM
Casualties Of war by Christopher LennertzCasualties Of warChristopher LennertzA♭ Major14B81 BPM
Resolution by John FrizzellResolutionJohn FrizzellC Minor15A92 BPM
The Mandalorian - Orchestral Version by Ludwig GoranssonThe Mandalorian - Orchestral VersionLudwig GoranssonD Minor27A83 BPM
Shenzou by Steven PriceShenzouSteven PriceD♭ Minor512A121 BPM
Tangiers by John PowellTangiersJohn PowellC Major98B174 BPM
Shooting Star by Ilan Eshkeri, London Metropolitan Orchestra, Andy BrownShooting StarIlan Eshkeri, London Metropolitan Orchestra, Andy BrownD Minor37A84 BPM
ISRC
US3M59902601
Label
L-M Records/RCA Records

Section: 0.6537091732025146

End: 0.6573891639709473