"6 Chorale Preludes, BV B 50: Herzlich tut mich erfreuen, Op. 122/4" by Johannes Brahms, Ferruccio Busoni, Igor Levit was released on September 11, 2020. The duration of 6 Chorale Preludes, BV B 50: Herzlich tut mich erfreuen, Op. 122/4 is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. 6 Chorale Preludes, BV B 50: Herzlich tut mich erfreuen, Op. 122/4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 22 in Encounter by Igor Levit. 6 Chorale Preludes, BV B 50: Herzlich tut mich erfreuen, Op. 122/4 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Chorale Preludes, BV B 50: Herzlich tut mich erfreuen, Op. 122/4 by Johannes Brahms, Ferruccio Busoni, Igor Levit is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
24 Préludes Op. 28: No. 4 in E minor | Víkingur Ólafsson | E Minor | 0 | 9A | 67 BPM | ||
10 Pieces for Piano, Op. 58: Der Hirt, No. 4 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 1 | 3B | 121 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
Lieder ohne Worte, Op. 53: No. 4 in F Major. Adagio, MWV U 114 "Sadness of Soul" | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: III. Gagliarda | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 97 BPM | ||
Lieder ohne Worte, Op. 19b: No. 1 in E Major. Andante con moto, MWV U 86 | Felix Mendelssohn, Igor Levit | A Minor | 2 | 8A | 144 BPM |
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