- BPM
- 128
- Key
- F Major
- Camelot
- 7B
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III - Ludwig van Beethoven, Adrian Brendel, Alfred Brendel Information
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 11%
- Instrumentalness
- 81%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 60%
- Popularity
- 0%
- Loudness
- -26.107 dB
Summary
Ludwig van Beethoven, Adrian Brendel, Alfred Brendel made "12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III" available on June 7, 2021. With 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 27 out of 167 in Beethoven: Classical Summer by Ludwig van Beethoven. Based on our statistics, 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III BPM
The tempo marking of 12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III by Ludwig van Beethoven, Adrian Brendel, Alfred Brendel is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
12 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, Op. 66: Variation III Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | |
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 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | |
 | Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | |
 | Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | |
 | Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | |
 | L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9837517738342285
End: 0.9882609844207764