Michael Praetorius, Capella De La Torre, Katharina Bauml made "Terpsichore, Musarum Aoniarum: Ballet, TMA 268" available on May 28, 2021. The duration of Terpsichore, Musarum Aoniarum: Ballet, TMA 268 is about 3 minutes long, at 3:13. Based on our data, "Terpsichore, Musarum Aoniarum: Ballet, TMA 268" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Terpsichore, Musarum Aoniarum: Ballet, TMA 268 only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Terpsichore, Musarum Aoniarum: Ballet, TMA 268 is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Terpsichore, Musarum Aoniarum: Ballet, TMA 268 by Michael Praetorius, Capella De La Torre, Katharina Bauml having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble) | Heinrich Isaac, Michael Praetorius, Stimmwerck | F Major | 0 | 7B | 75 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Terpsichore*: a. Ballet des Baccanales b. Ballet des feus c. Ballet des Matelotz | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 2 | 8B | 90 BPM | ||
Piano Trio in G minor, Op.17: 3. Andante | Clara Schumann, Beaux Arts Trio | G Major | 0 | 9B | 180 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Violin Concerto in D Major, RV 211: II. Larghetto | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 1 | 12A | 92 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM |
Section: 0.5811736583709717
End: 0.5871083736419678