Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio - London Harpsichord Ensemble, Sarah Francis Information

Acousticness: 96%
Danceability: 10%
Energy: 5%
Instrumentalness: 98%
Liveness: 12%
Loudness: 56%
Speechiness: 4%
Valence: 7%
Popularity: 13%
Loudness: -26.513 dB

Summary

"Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio" by London Harpsichord Ensemble, Sarah Francis was released on November 25, 2013. With Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio BPM

The tempo marking of Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio by London Harpsichord Ensemble, Sarah Francis is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Oboe Concerto in F Major, Op. 7 No. 9: II. Adagio Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): III. Allegro	Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis	D♭ Minor	2	12A	106 BPM
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio	Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl	C Minor	1	5A	95 BPM
Concerto For Oboe In D Minor - Adagio	Tafelmusik Baroque Orchestra	D♭ Minor	1	12A	72 BPM
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: III. Siciliano	Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul	C Major	0	8B	141 BPM
Concerto for Oboe & Violin in C Minor, BWV 1060R: III. Allegro	Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl	C Minor	4	5A	111 BPM
Oboe Concerto No. 2 in B-Flat Major, HWV 302a: I. Vivace	London Harpsichord Ensemble, Sarah Francis	B♭ Major	1	6B	82 BPM
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	D Minor	2	7A	110 BPM
Concerto for 2 Oboes in C Major, RV 534: I. Allegro	Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy	C Major	2	8B	125 BPM
Hertel: Trumpet Concerto No. 1 in E-Flat Major: III. Vivace	Johann Wilhelm Hertel, Maurice André, Sir Charles Mackerras, English Chamber Orchestra	E♭ Major	2	5B	148 BPM
Concerto for 2 Oboes in C Major, Op. 7, No. 2: III. Allegro	Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis	C Major	4	8B	124 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.2263200283050537

End: 1.2295715808868408