"beFORe JOHN: VII. Traditions Part 2 - ZEN-e?" by Zoltán Váczi, Aurél Holló, Amadinda Percussion Group was released on July 15, 2014. beFORe JOHN: VII. Traditions Part 2 - ZEN-e? appears to be safe for all ages as it is not explicit. The track order of this song in Amadinda Percussion Group's "Hollo / Vaczi: Before John" album is number 5 out of 14. Based on our statistics, beFORe JOHN: VII. Traditions Part 2 - ZEN-e?'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of beFORe JOHN: VII. Traditions Part 2 - ZEN-e? by Zoltán Váczi, Aurél Holló, Amadinda Percussion Group to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greenwood: 48 Responses to Polymorphia: Overtones | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | C Major | 0 | 8B | 83 BPM | ||
Estampes, L. 100: No. 1. Pagodes | Claude Debussy, Michael Korstick | E♭ Minor | 0 | 2A | 69 BPM | ||
Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | ||
Atlas - Part 3: Invisible Light: Earth Seen From Above | Meredith Monk, Vocal Ensemble, Wayne Hankin | A♭ Major | 0 | 4B | 126 BPM | ||
Time Drinks Three Shots (From "You Us We All") | Shara Worden | D Minor | 3 | 7A | 68 BPM | ||
Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
Requiem, Op. 48: Requiem, Op. 48: I. Introït | Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale | D Minor | 0 | 7A | 108 BPM | ||
Hedi On The Bike | Lambert | A♭ Major | 2 | 4B | 122 BPM | ||
Two Studies on Ancient Greek Scales: 1) Olympos' Pentatonic 2) Archytas' Enharmonic | Harry Partch, Kronos Quartet | C Minor | 0 | 5A | 88 BPM | ||
Glasspiece No. 1 ("Rubric" from Glassworks) | Philip Glass, Michael Riesman | E♭ Major | 6 | 5B | 95 BPM |
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