Leonard Bernstein, New York Philharmonic's 'Three Dance Episodes (From "On the Town"): III. Times Square: 1944' came out on 1964. With this song being about 5 minutes long, at 4:39, "Three Dance Episodes (From "On the Town"): III. Times Square: 1944" by Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 16 in Bernstein: Fancy Free Ballet & Three Dance Episodes (From "On the Town") & More [Remastered] by Leonard Bernstein. In terms of popularity, Three Dance Episodes (From "On the Town"): III. Times Square: 1944 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Dance Episodes (From "On the Town"): III. Times Square: 1944 by Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass / III. Second Introit: II. Prayer for the Congregation (Chorale: "Almighty Father") - Live | Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin, The American Boychoir, Westminster Symphonic Choir, Temple University Concert Choir | G Major | 0 | 9B | 71 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 124 BPM | ||
Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: II. Intermezzo | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 141 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 3 | 4A | 82 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 178 BPM |
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