"Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo" by Christoph Willibald Gluck, Yuja Wang was released on March 1, 2012. The duration of Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo is about 3 minutes long, at 3:01. Based on our data, "Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 18 in Fantasia by Yuja Wang. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo by Christoph Willibald Gluck, Yuja Wang is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 79 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
Una melodia di Gluck "The Therapy Room" - Re-Recorded Version | Christoph Willibald Gluck, Ezio Bosso | D Minor | 0 | 7A | 71 BPM |
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