Johann Sebastian Bach, Göran Söllscher made "Suite In E Minor, BWV 996 - Transp. In G Minor: 5. Bourrée" available on May 1, 2021. With Suite In E Minor, BWV 996 - Transp. In G Minor: 5. Bourrée being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 175 in the song's album "Simply Bach". In this album, this song's track order is #12. Suite In E Minor, BWV 996 - Transp. In G Minor: 5. Bourrée is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite In E Minor, BWV 996 - Transp. In G Minor: 5. Bourrée by Johann Sebastian Bach, Göran Söllscher having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 3 | 6A | 108 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. [Adagio] | Johann Sebastian Bach, Trevor Pinnock, Kati Debretzeni | A♭ Major | 0 | 4B | 94 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |
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