- BPM
- 77
- Key
- F♯ Minor
- Camelot
- 11A
Les espaces acoustiques: IV. Modulations - Stefan Asbury, WDR Sinfonieorchester Köln Information
- Acousticness
- 93%
- Danceability
- 8%
- Energy
- 3%
- Instrumentalness
- 51%
- Liveness
- 89%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 3%
- Loudness
- -23.921 dB
Summary
"Les espaces acoustiques: IV. Modulations" by Stefan Asbury, WDR Sinfonieorchester Köln was released on May 1, 2001. Les espaces acoustiques: IV. Modulations appears to be safe for all ages as it is not explicit. The track order of this song in Asko Ensemble, WDR Sinfonieorchester Köln, Stefan Asbury's "Grisey: Les espaces acoustiques" album is number 1 out of 6. Les espaces acoustiques: IV. Modulations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Les espaces acoustiques: IV. Modulations BPM
We consider the tempo marking of Les espaces acoustiques: IV. Modulations by Stefan Asbury, WDR Sinfonieorchester Köln to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Les espaces acoustiques: IV. Modulations Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | |
 | Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | |
 | Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | |
 | Játékok / 5.: 9. Aus der Ferne | György Kurtág, Márta Kurtág | G Minor | 0 | 6A | 66 BPM | |
 | Chiffre IV (Live) | Wolfgang Rihm, Ensemble Musikfabrik, Stefan Asbury | A Minor | 1 | 8A | 56 BPM | |
 | Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | |
| Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | |
 | 12 Notations pour piano: XI Scintillant | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 63 BPM | |
 | Tempo e tempi: No. 5, Godimento | Elliott Carter, Lucy Shelton, Ensemble Sospeso, Stefan Asbury | C Minor | 2 | 5A | 64 BPM | |
 | Sonata for Four Hands, FP 8: I. Prelude | Francis Poulenc, Lucille Chung, Alessio Bax | C Minor | 1 | 5A | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9952840805053711
End: 0.9987671375274658