"6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales" by Claude Debussy, Roland Pöntinen was released on January 1, 2012. The duration of 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in Claude Debussy Etudes by Claude Debussy, Roland Pöntinen. 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales by Claude Debussy, Roland Pöntinen is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
Piano Concerto No. 12 in A Major, K. 414: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | D Major | 0 | 10B | 112 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
2 Arabesques (arr. A. Miolin): Arabesque No. 1 | Anders Miolin, Claude Debussy | G Major | 0 | 9B | 82 BPM | ||
La Plus que Lente, L. 121 | Claude Debussy, Martin Jones | E♭ Minor | 0 | 2A | 70 BPM |
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