"Fantasy on Polish Airs, Op. 13: Largo non troppo" by Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański was released on March 10, 2017. With this song being about 5 minutes long, at 4:55, "Fantasy on Polish Airs, Op. 13: Largo non troppo" by Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 17 in Chopin: Works For Piano & Orchestra by Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fantasy on Polish Airs, Op. 13: Largo non troppo is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasy on Polish Airs, Op. 13: Largo non troppo by Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Waltz No.1 in E Flat, Op.18 -"Grande valse brillante" | Frédéric Chopin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 131 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Bach, JS / Arr. Kempff: Flute Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliano | Johann Sebastian Bach, Andrew von Oeyen | A♭ Major | 4 | 4B | 104 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM |
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