- BPM
- 74
- Key
- B Minor
- Camelot
- 10A
Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works - Eric Schmidt, Jonathan Rosenberg Information
- Acousticness
- 49%
- Danceability
- 70%
- Energy
- 29%
- Instrumentalness
- 0%
- Liveness
- 38%
- Loudness
- 68%
- Speechiness
- 96%
- Valence
- 45%
- Popularity
- 0%
- Loudness
- -19.05 dB
Summary
Eric Schmidt, Jonathan Rosenberg made "Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #115 out of 137 tracks. Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works BPM
Since Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Kapitel 81.3 & Kapitel 82.1 - Wie Google tickt - How Google Works Key
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Israel in Egypt, HWV 54: Part II: He gave them hailstones for rain (Chorus) | George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B Major | 4 | 1B | 111 BPM | |
 | Requiem, Op. 48: 3. Sanctus | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | B Minor | 2 | 10A | 130 BPM | |
 | Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) | Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota | D Major | 5 | 10B | 85 BPM | |
 | Elijah, Op. 70: "If With All Your Hearts" (Aria) | Felix Mendelssohn, Robert Murray, Paul McCreesh | E♭ Major | 1 | 5B | 86 BPM | |
 | Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | |
 | Christus am Ölberge, Op. 85: 5a. "Hier ist er, der Verbannte" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | D Major | 4 | 10B | 126 BPM | |
 | Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | |
 | Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | |
 | Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 76 BPM | |
 | Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7936210632324219
End: 0.7983028888702393