Waiting for the Girls Upstairs
Jim Walton, Howard McGillin, Mandy Patinkin, George Hearn, Barbara Cook, Lee Remick, Daisy Prince, Liz Callaway
The Story So Far...
5:40 1957
BPM
133
Key
B♭ Major
Camelot
6B

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Waiting for the Girls Upstairs - Jim Walton, Howard McGillin, Mandy Patinkin, George Hearn, Barbara Cook, Lee Remick, Daisy Prince, Liz Callaway Information

Acousticness
90%
Danceability
49%
Energy
32%
Instrumentalness
0%
Liveness
64%
Loudness
78%
Speechiness
12%
Valence
44%
Popularity
Loudness
-13.453 dB

Summary

Jim Walton, Howard McGillin, Mandy Patinkin, George Hearn, Barbara Cook, Lee Remick, Daisy Prince, Liz Callaway made "Waiting for the Girls Upstairs" available on 1957. Waiting for the Girls Upstairs is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 82 in the song's album "The Story So Far...". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Waiting for the Girls Upstairs's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Waiting for the Girls Upstairs BPM

With Waiting for the Girls Upstairs by Jim Walton, Howard McGillin, Mandy Patinkin, George Hearn, Barbara Cook, Lee Remick, Daisy Prince, Liz Callaway having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Waiting for the Girls Upstairs Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

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ISRC
USBC18500144
Label
L-M Records/RCA Records

Section: 0.5186138153076172

End: 0.5223701000213623