Giuseppe Verdi, Owain Arwel Hughes, Royal Philharmonic Orchestra, Brighton Festival Chorus, Royal Choral Society's 'Messa da Requiem: II. Seq. 1, Dies irae' came out on June 5, 2021. The duration of Messa da Requiem: II. Seq. 1, Dies irae is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Messa da Requiem: II. Seq. 1, Dies irae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Gaming Symphony" album is number 18 out of 26. Messa da Requiem: II. Seq. 1, Dies irae is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messa da Requiem: II. Seq. 1, Dies irae by Giuseppe Verdi, Owain Arwel Hughes, Royal Philharmonic Orchestra, Brighton Festival Chorus, Royal Choral Society to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" | Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola Rescigno | C Minor | 3 | 5A | 78 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |
Section: 0.8866071701049805
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