"Piazzolla / Arr. Zimmerman: Oblivion" by Lucienne Renaudin Vary was released on January 15, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Piazzolla Stories - Oblivion (Arr. Zimmerman for Trumpet and Orchestra) only contains only one song in the album, we like to consider this song as a single. Piazzolla / Arr. Zimmerman: Oblivion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla / Arr. Zimmerman: Oblivion by Lucienne Renaudin Vary having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
Massenet: Thaïs: Méditation | Jules Massenet, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | E Minor | 0 | 9A | 97 BPM | ||
Spring Fly - Theme from Kevadine kärbes | Lepo Sumera, Misha Mullov-Abbado, Viktoria Mullova | G Minor | 2 | 6A | 85 BPM | ||
7 Virtuoso Etudes: 1. I Got Rhythm (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | F♯ Major | 3 | 2B | 106 BPM | ||
Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
Los tres golpes (The 3 Blows) | Ignacio Cervantes, Alvaro Cendoya | E Minor | 1 | 9A | 113 BPM | ||
Handel / Arr Pluhar: Sinfonia (From Alcina HWV 34) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | F Major | 3 | 7B | 120 BPM | ||
Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM |
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