Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner made "The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l" available on April 30, 2021. With The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 137 out of 300 in Discover Mozart by Wolfgang Amadeus Mozart. The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Lieder ohne Worte, Op. 67: No. 4 Presto "Spinning Song" | Lang Lang | C Major | 4 | 8B | 173 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Spanish Romance, Op. 74: The Smuggler (Transcr. for Concert Performance by Carl Tausig) | Robert Schumann, Yuja Wang | F♯ Major | 7 | 2B | 151 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Eroica Dance (Arr. for Piano from Symphony No. 3 in E-Flat Major, Op. 55 by Martin Stadtfeld ) | Ludwig van Beethoven, Martin Stadtfeld | E♭ Major | 2 | 5B | 143 BPM |
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