"O Euchari in leta via" by Hildegard von Bingen, Oxford Camerata, Jeremy Summerly was released on April 24, 1995. Since O Euchari in leta via is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hildegard von Bingen, Oxford Camerata, Jeremy Summerly's "Hildegard Von Bingen: Heavenly Revelations" album is number 1 out of 11. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, O Euchari in leta via is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Euchari in leta via by Hildegard von Bingen, Oxford Camerata, Jeremy Summerly to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maidan 2014 / Cycle IV: II. Elegy | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
The Sound of Spirit | Los Angeles Master Chorale | D♭ Major | 1 | 3B | 91 BPM | ||
Confutatis | Giuseppe Verdi, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D♭ Minor | 2 | 12A | 0 BPM | ||
Magnificat | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | D Minor | 1 | 7A | 80 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
O Virtus Sapientie Alio Modo | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | D Minor | 3 | 7A | 124 BPM | ||
Taedet animam meam | Cristobal de Morales, Egidus Kwartet | C Major | 0 | 8B | 132 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM |
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