"Ostermorgen" by Rudolf Tobias, Estonian Philharmonic Chamber Choir, Daniel Reuss was released on April 30, 2013. With Ostermorgen being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivit! - Choral Works by Reger & Tobias by Daniel Reuss. The song's track number on the album is #4 out of 16 tracks. Based on our statistics, Ostermorgen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ostermorgen by Rudolf Tobias, Estonian Philharmonic Chamber Choir, Daniel Reuss has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ostermorgen being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Komm, süsser Tod | Ethel Smyth, Sansara, Tom Herring | D Minor | 1 | 7A | 65 BPM | ||
Des Jona Sendung (Jonah's Mission): Gott schaut vom Himmel | Rudolf Tobias, Pille Lill, Urve Tauts, Peter Svensson, Mati Palm, Ines Maidre, Oratorio Choir, Tallinn Boys Choir, Estonian Philharmonic Chamber Choir, Estonian State Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 129 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss | Johan Helmich Roman, Göteborg Baroque, Magnus Kjellson | A Minor | 1 | 8A | 87 BPM | ||
Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Minor | 1 | 6A | 69 BPM | ||
Gute Nacht | Adolf Marschner, Polyteknikkojen Kuoro | F Minor | 1 | 4A | 63 BPM | ||
Begrabnisgesang, Op. 13 | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Minor | 0 | 5A | 175 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM |
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