"TEMPLE OF THE GOLDEN PAVILION ("like some enormous music")" by Philip Glass, Kronos Quartet, Michael Riesman was released on 1985. The duration of TEMPLE OF THE GOLDEN PAVILION ("like some enormous music") is about 3 minutes long, at 3:01. Based on our data, "TEMPLE OF THE GOLDEN PAVILION ("like some enormous music")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Philip Glass, Kronos Quartet's "Mishima" album is number 4 out of 14. Based on our statistics, TEMPLE OF THE GOLDEN PAVILION ("like some enormous music")'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of TEMPLE OF THE GOLDEN PAVILION ("like some enormous music") by Philip Glass, Kronos Quartet, Michael Riesman to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | Ludwig van Beethoven, Jerusalem Quartet | E♭ Major | 1 | 5B | 112 BPM | ||
Sonata XVI & XV "Gemini" | John Cage, David Greilsammer | D Major | 1 | 10B | 92 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
II. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 68 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Die Walkure: Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | C Major | 5 | 8B | 172 BPM | ||
In The White Silence: Letter B | John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss | A Minor | 1 | 8A | 59 BPM | ||
Yae No Sakura Opening Theme - From "Yae No Sakura" | Ryuichi Sakamoto | B Minor | 3 | 10A | 84 BPM | ||
II. Warmth | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda | E♭ Minor | 0 | 2A | 111 BPM | ||
Tabla | Punch-Drunk Love | D♭ Major | 3 | 3B | 95 BPM |
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