"Violin Concerto No. 1, Op. 35: Cadenza" by Karol Szymanowski, Paul Kochanski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2010. With this song being about 5 minutes long, at 4:31, "Violin Concerto No. 1, Op. 35: Cadenza" by Karol Szymanowski, Paul Kochanski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Szymanowski: Violin Concerto No.1, Op.35; Symphony No.3, Op.27 "Song of the Night"". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Violin Concerto No. 1, Op. 35: Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1, Op. 35: Cadenza by Karol Szymanowski, Paul Kochanski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 2 Den ensamna furan (The Lonely Fir) | Jean Sibelius, Håvard Gimse | D Minor | 0 | 7A | 103 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Gábor Bretz, BBC Symphony Chorus | C Major | 2 | 8B | 145 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM |
Section: 0.6933784484863281
End: 0.6971879005432129