Göran Söllscher, Patrick Gallois, Astor Piazzolla made "Histoire du Tango (pour flûte et guitare): N°.1 Bordel - 1900" available on January 1, 1996. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Piazzolla: L'Histoire du Tango". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Histoire du Tango (pour flûte et guitare): N°.1 Bordel - 1900 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Histoire du Tango (pour flûte et guitare): N°.1 Bordel - 1900 by Göran Söllscher, Patrick Gallois, Astor Piazzolla having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Yellow Submarine | Göran Söllscher | D Major | 2 | 10B | 64 BPM | ||
Suite española, Op. 47: Asturias (Leyenda) | Isaac Albéniz, Narciso Yepes | A Minor | 1 | 8A | 85 BPM | ||
Sonate en ré mineur, K. 1: Allegro | Domenico Scarlatti, Thibault Cauvin | D Minor | 2 | 7A | 183 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Lute music - Spain: Pavana de Alexandre | Alonso Mudarra, Göran Söllscher | F Major | 1 | 7B | 110 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
I will | Göran Söllscher | G Major | 0 | 9B | 107 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM |
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