"Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro" by Arcangelo Corelli, Trio Sonnerie was released on 1989. The duration of Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 53 in Corelli: Violin Sonatas, Op. 5 by Arcangelo Corelli, Trio Sonnerie. Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro by Arcangelo Corelli, Trio Sonnerie is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F Minor | 1 | 4A | 81 BPM | ||
Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo | Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende | E Major | 1 | 12B | 89 BPM | ||
The Fairy Queen, Z. 629: Hornpipe | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | G Major | 1 | 9B | 118 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: VI. Rondeau | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 0 | 8B | 62 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.1 in D: I.Grave-Allegro | Arcangelo Corelli, Trio Sonnerie | A♭ Major | 2 | 4B | 86 BPM |
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