James Galway made "Concerto in G for Flute and Strings: Allegro" available on 1978. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in James Galway's "James Galway plays Flute Concertos - Sony Classical Masters" album is number 10 out of 142. On top of that, United States appears to be the country where this track was created. Based on our statistics, Concerto in G for Flute and Strings: Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in G for Flute and Strings: Allegro by James Galway to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G for Flute and Strings: Allegro | James Galway | G Major | 1 | 9B | 138 BPM | ||
Fanny Power / Mabel Kelly / O'Carolan's Concerto | Turlough O'Carolan, James Galway, National Philharmonic Orchestra | G Major | 1 | 9B | 157 BPM | ||
Prelude a l'apres-midi d'un faune (arr. for flute and harp) | Claude Debussy, Nora Shulman, Judy Loman | A♭ Minor | 1 | 1A | 79 BPM | ||
The Silver Stars Are in the Sky | William G. James, John Wheeler, James Galway, David Measham | B♭ Major | 1 | 6B | 85 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
I Started a Joke | Barry Gibb, Robin Gibb, Maurice Gibb, James Galway | G Major | 2 | 9B | 67 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
II. Largo from Concerto for Lute (Guitar), two Violins and Basso continuo in D Major, RV 93 | John Williams | D Major | 1 | 10B | 70 BPM | ||
Sonata for Solo Flute in A Minor: III. Allegro | Carl Philipp Emanuel Bach, James Galway | E Minor | 0 | 9A | 125 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM |
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