Barbara Keith made "The Road I Took to You" available on July 26, 2005. The duration of The Road I Took to You is about 3 minutes long, at 3:20. Based on our data, "The Road I Took to You" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 10 in Barbara Keith by Barbara Keith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Road I Took to You is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Road I Took to You by Barbara Keith is Presto (very, very fast), since this song has a tempo of 186 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
P.F. Sloan | Jimmy Webb | B♭ Major | 3 | 6B | 98 BPM | ||
Canadee-I-O | Nic Jones | B♭ Major | 3 | 6B | 113 BPM | ||
Faithful | Eric Andersen | A♭ Major | 2 | 4B | 132 BPM | ||
Niki Hoeky | Bobbie Gentry | G Major | 3 | 9B | 127 BPM | ||
Spanish Moss | Jackson C. Frank | E Major | 4 | 12B | 120 BPM | ||
Bleecker & MacDougal | Fred Neil | E Major | 5 | 12B | 133 BPM | ||
The Future's Not What It Used to Be | Mickey Newbury | F♯ Major | 3 | 2B | 92 BPM | ||
Same Old Man | Karen Dalton | F Major | 4 | 7B | 148 BPM | ||
The Dark-Eyed Sailor | Steeleye Span | D♭ Major | 4 | 3B | 104 BPM | ||
Till the Real Thing Comes Along | Judy Henske | A Major | 5 | 11B | 110 BPM |
Section: 0.5780696868896484
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