"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"" by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra was released on January 1, 1963. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 16 in Elgar: Enigma Variations, Op. 36 & Cockaigne Overture, Op. 40 by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra. The popularity of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture Orpheus in the Underworld | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 1 | 10B | 76 BPM | ||
Lieutenant Kijé Suite, Op. 60: II. Romance | Sergei Prokofiev, Tugan Sokhiev | E Minor | 2 | 9A | 72 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: II. Andante | George Frideric Handel, Sir John Barbirolli, Eric Chadwick, Valda Aveling, Hallé | A Major | 2 | 11B | 107 BPM | ||
Grieg: Peer Gynt, Op. 23, Act IV: No. 16, Anitra's Dance | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | A Major | 1 | 11B | 161 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
Berceuse for Violin and Orchestra, Op. 16 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | D Major | 1 | 10B | 114 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: II. Adagio - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | B Minor | 0 | 10A | 85 BPM | ||
An die Musik, D. 547 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 91 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM |
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