Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"
Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra
Elgar: Enigma Variations, Op. 36 & Cockaigne Overture, Op. 40
3:30 January 1, 1963
BPM
167
Key
E♭ Major
Camelot
5B

Embed

Share Link

Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" - Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra Information

Acousticness
90%
Danceability
9%
Energy
18%
Instrumentalness
89%
Liveness
9%
Loudness
70%
Speechiness
4%
Valence
5%
Popularity
Loudness
-18.283 dB

Summary

"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"" by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra was released on January 1, 1963. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 16 in Elgar: Enigma Variations, Op. 36 & Cockaigne Overture, Op. 40 by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra. The popularity of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" BPM

The tempo marking of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Overture Orpheus in the Underworld by Jacques Offenbach, Philharmonia Orchestra, Sir Neville MarrinerOverture Orpheus in the UnderworldJacques Offenbach, Philharmonia Orchestra, Sir Neville MarrinerD Major110B76 BPM
Lieutenant Kijé Suite, Op. 60: II. Romance by Sergei Prokofiev, Tugan SokhievLieutenant Kijé Suite, Op. 60: II. RomanceSergei Prokofiev, Tugan SokhievE Minor29A72 BPM
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: II. Andante by George Frideric Handel, Sir John Barbirolli, Eric Chadwick, Valda Aveling, HalléHandel: Organ Concerto in B-Flat Major, Op. 7 No. 1, HWV 306: II. AndanteGeorge Frideric Handel, Sir John Barbirolli, Eric Chadwick, Valda Aveling, HalléA Major211B107 BPM
Grieg: Peer Gynt, Op. 23, Act IV: No. 16, Anitra's Dance by Edvard Grieg, Paavo Järvi, Estonian National Symphony OrchestraGrieg: Peer Gynt, Op. 23, Act IV: No. 16, Anitra's DanceEdvard Grieg, Paavo Järvi, Estonian National Symphony OrchestraA Major111B161 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B95 BPM
Berceuse for Violin and Orchestra, Op. 16 by Gabriel Fauré, Sinfonieorchester Basel, Ivor BoltonBerceuse for Violin and Orchestra, Op. 16Gabriel Fauré, Sinfonieorchester Basel, Ivor BoltonD Major110B114 BPM
Concierto de Aranjuez for Guitar and Orchestra: II. Adagio - Version 1979 by Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García NavarroConcierto de Aranjuez for Guitar and Orchestra: II. Adagio - Version 1979Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García NavarroB Minor010A85 BPM
An die Musik, D. 547 - Arr. for Arpeggione and Piano by Franz Schubert, Anne Gastinel, Claire DésertAn die Musik, D. 547 - Arr. for Arpeggione and PianoFranz Schubert, Anne Gastinel, Claire DésertD Major010B91 BPM
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave by Erik Satie, Orchestre Du Capitole De Toulouse, Michel PlassonSatie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et graveErik Satie, Orchestre Du Capitole De Toulouse, Michel PlassonB♭ Major46B157 BPM
Nyman: The Heart Asks Pleasure First by Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de ParisNyman: The Heart Asks Pleasure FirstMichael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de ParisA Minor18A108 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.674100399017334

End: 0.6783802509307861