"Concerto for Violin & Orchestra, Op. 14: I. Allegro" by Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn was released on July 4, 2020. Concerto for Violin & Orchestra, Op. 14: I. Allegro appears to be safe for all ages as it is not explicit. The song is number 59 out of 68 in Barber: An Introduction by Samuel Barber. In terms of popularity, Concerto for Violin & Orchestra, Op. 14: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Violin & Orchestra, Op. 14: I. Allegro by Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: II. Canzonetta: Andante - attacca - Live | Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, André Previn | C Minor | 0 | 5A | 138 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 1 | 5B | 82 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 118 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
Cello Concerto in E Minor, Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 74 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 114 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM |
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