"Scheherazade, Op. 35: I. The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, David Nolan, Philharmonia Orchestra, Enrique Bátiz was released on June 11, 1993. Since Scheherazade, Op. 35: I. The Sea and Sinbad's Ship is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rimsky-Korsakov: Sheherazade / The Tale of Tsar Saltan". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Scheherazade, Op. 35: I. The Sea and Sinbad's Ship is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, David Nolan, Philharmonia Orchestra, Enrique Bátiz having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, WWV 90, Act 1: Vorspiel (Langsam und schmachtend - Belebend) | Richard Wagner, Josef Greindl, Philharmonia Orchestra, Wilhelm Furtwängler | A Minor | 1 | 8A | 89 BPM | ||
Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | F Major | 1 | 7B | 90 BPM | ||
Peer Gynt Incidental Music, Op. 23: No. 16, Anitra's Dance. Scene 6 | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra, Lise Davidsen, Edward Gieg Kor, Bergen Philharmonic Choir | E Major | 1 | 12B | 81 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink | D♭ Minor | 1 | 12A | 92 BPM | ||
Africa, Op. 89 | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie | A♭ Major | 1 | 4B | 107 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Lensky's Variation - Pas De Deux (Onegin Ballet Suite No 4 & 5) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A♭ Major | 9 | 4B | 125 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM |
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