Pinchas Zukerman, Royal Philharmonic Orchestra's 'Liebesfreud' came out on 1959. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Greatest Hits: Violin" album is number 7 out of 14. In terms of popularity, Liebesfreud is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Liebesfreud by Pinchas Zukerman, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | A Major | 2 | 11B | 92 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | G Minor | 1 | 6A | 111 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | D♭ Major | 1 | 3B | 121 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': IV. Vivace | Antonín Dvořák, Škampa Quartet | C Major | 1 | 8B | 78 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 0 | 9B | 80 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Major | 2 | 10B | 139 BPM | ||
Sonata for Solo Violin No. 3 in D Minor, Op. 27 No. 3 "A Georges Enesco": Ballade (Lento molto sostenuto, molto moderato quasi lento, allegro in tempo giusto e con bravura) | Eugène Ysaÿe, Tedi Papavrami | A Minor | 2 | 8A | 127 BPM | ||
Nocturne No.2 in E flat, Op.9 No.2 | Frédéric Chopin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | A Major | 0 | 11B | 86 BPM |
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