"Piano Trio, Four Combinations of Three Instruments, HC. 383: II. Largo" by Henry Cowell, The Hartley Trio was released on May 11, 2015. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 14 in Aaron Copland Vitbsk and other American Piano Trios by The Hartley Trio. In terms of popularity, Piano Trio, Four Combinations of Three Instruments, HC. 383: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Trio, Four Combinations of Three Instruments, HC. 383: II. Largo by Henry Cowell, The Hartley Trio is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet N 20 Mov 1 Mazurka Version Musescore 4 | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Fausta Ploras | Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch | C Minor | 1 | 5A | 75 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Requiem canticles: I. Praeludium | Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe | A Minor | 1 | 8A | 138 BPM | ||
Meditation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Suite for Violin with American Gamelan: V. Chaconne | Lou Harrison, Richard Dee, Gabriela Diaz, Gil Rose, Boston Modern Orchestra Project | B Minor | 1 | 10A | 126 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM |
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