"Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae" by Harrison Birtwistle, BBC Singers, Nicholas Kok was released on February 10, 2014. The duration of Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae is about 3 minutes long, at 3:26. Based on our data, "Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harrison Birtwistle, BBC Singers, Nash Ensemble, Nicholas Kok's "Harrison Birtwistle: The Moth Requiem" album is number 4 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Latin Motets from 'The Last Supper': III. In supremae nocte cenae by Harrison Birtwistle, BBC Singers, Nicholas Kok to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
The Soldier's Tale, Pt. 1: II. Music for Scene 1. Airs by a Stream | Igor Stravinsky, George Benjamin, Harrison Birtwistle, Dame Harriet Walter, Royal Academy of Music Manson Ensemble, Oliver Knussen | G Major | 1 | 9B | 95 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VII. Et Dieu essuiera toute larme de leurs yeux | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 93 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 5. Allegro moderato | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Nine Settings Of Lorine Niedecker (For Soprano And Violoncello): Sleep's Dream | Harrison Birtwistle, Adrian Brendel, Amy Freston | F♯ Major | 0 | 2B | 45 BPM | ||
Signs, Games and Messages: Árnyak (Shadows) | György Kurtág, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
Rhapsodie Espagnole M.54: II. Malaguena. Assez Vif | Maurice Ravel, Maxwell Philharmonic Orchestra | B Minor | 3 | 10A | 94 BPM | ||
Quartet I | Jörgen Dafgård, Geir Draugsvoll, Aniara Quartet | B♭ Major | 0 | 6B | 169 BPM | ||
Dutilleux: The Shadows of Time: IV. Vagues de lumière | Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 85 BPM | ||
Dutilleux: The Shadows of Time: III. Mémoires des ombres "Pour Anne Frank, et pour tous les enfants du monde, innocents" - Interlude | Henri Dutilleux, Seiji Ozawa, Joël Esher, Rachel Plotkin, Jordan Swaim, Boston Symphony Orchestra | B♭ Minor | 1 | 3A | 131 BPM |
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