"Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights" by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1987. With this song being about 5 minutes long, at 5:18, "Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights" by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 52 in the song's album "Prokofiev: Romeo & Juliet, op.64". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
JStraussl: Radetzky marsch 요한 슈트라우스 라데츠키행진곡 | 김준영 | A Major | 5 | 11B | 113 BPM | ||
Má Vlast, JB1:112: II. Vltava | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 100 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Waltz In c Sharp Minor Opus 64 No. 2 | Rigutto Bruno | D♭ Minor | 0 | 12A | 85 BPM | ||
Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 93 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM | ||
Peer Gynt, Op. 23: Au matin | Edvard Grieg, Vanessa Wagner, Thibault Lebrun | D Major | 0 | 10B | 62 BPM | ||
Valses, Op. 64: No.2 in C Sharp Minor. Tempo giusto | Frédéric Chopin, Pascal Amoyel | D♭ Minor | 0 | 12A | 87 BPM |
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