Eteri Lamoris, Eduardo Grossenstein's 'La Canción de la Cuna Para Dormir a un Negrito' came out on 2000. The duration of La Canción de la Cuna Para Dormir a un Negrito is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. La Canción de la Cuna Para Dormir a un Negrito's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eteri Lamoris, Eduardo Grossenstein's "Mis Canciones Favoritas" album is number 11 out of 25. La Canción de la Cuna Para Dormir a un Negrito is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Canción de la Cuna Para Dormir a un Negrito by Eteri Lamoris, Eduardo Grossenstein to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in A, D.667 - "The Trout": 4. Thema - Andantino - Variazioni I-V - Allegretto - Edit | Franz Schubert, Ingrid Haebler, Arthur Grumiaux, Georges Janzer, Eva Czako, Jacques Cazauran | D Major | 0 | 10B | 154 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Hungarian Dance No.8 in A minor - Orchestrated by R. Schollum | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A Minor | 1 | 8A | 138 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Con onor muore (Butterfly/Pinkerton) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Minor | 2 | 11A | 79 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? | Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Major | 1 | 12B | 165 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
Aria ¨La Vendetta, Oh La Vendetta¨ | Orquesta Sinfónica Y Coro De La RAI De Roma | D Major | 1 | 10B | 96 BPM | ||
Chopin: Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" | Frédéric Chopin, Dmitri Alexeev | B♭ Major | 2 | 6B | 81 BPM |
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