Carl Maria von Weber, Theo Adam, Gerhard Paul, Hans Jörn Weber, Gerlind Schulze, Alfred Woronetzki, Kurt W. Franke, Staatskapelle Dresden, Carlos Kleiber made "Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal"" available on January 1, 1973. With Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #9 out of 30 tracks. In terms of popularity, Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" by Carl Maria von Weber, Theo Adam, Gerhard Paul, Hans Jörn Weber, Gerlind Schulze, Alfred Woronetzki, Kurt W. Franke, Staatskapelle Dresden, Carlos Kleiber has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Der Freischütz, J. 277 / Act 1: "Hier im irdschen Jammertal" being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin | D♭ Minor | 2 | 12A | 121 BPM | ||
Turandot / Act 2: "Olà, Pang! Olà, Pong!" | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta | G Minor | 3 | 6A | 109 BPM | ||
Requiem: V. Quid Sum Miser | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Christine Brewer, London Symphony Orchestra, Karen Cargill | C Minor | 0 | 5A | 82 BPM | ||
XX. Aria - Dein Wachstum sei feste (Bass) | Johann Sebastian Bach, Theo Adam, Kammerorchester Berlin, Peter Schreier | A Major | 2 | 11B | 151 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | A♭ Major | 3 | 4B | 67 BPM | ||
Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Erst nach der Oper kommen wir daran" (Zerbinetta, Primadonna, Music Master, Composer, A Dancing Master) | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | D♭ Major | 3 | 3B | 76 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | ||
Der Freischütz, J. 277 / Act 1: "Was gibt's hier?" | Carl Maria von Weber, Gerd Biewer, Peter Hölzel, Hans Jörn Weber, Gerhard Paul, Alfred Woronetzki, Monika Hildebrand, Use Rainer, Gerlind Schulze | E Major | 2 | 12B | 100 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM |
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