"50 Folk-Tunes from Hardanger, Op. 150: Mountain Call" by Geirr Tveitt, Håvard Gimse was released on November 26, 1997. The duration of 50 Folk-Tunes from Hardanger, Op. 150: Mountain Call is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 50 Folk-Tunes from Hardanger, Op. 150: Mountain Call's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Tveitt: Piano Music, Vol. 1". In this album, this song's track order is #28. 50 Folk-Tunes from Hardanger, Op. 150: Mountain Call is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 50 Folk-Tunes from Hardanger, Op. 150: Mountain Call by Geirr Tveitt, Håvard Gimse having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36, "Enigma": Var. I (C.A.E.) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Den Gamle Apalen / The Old Apple Tree | Geirr Tveitt, Aslaug Vaa, Per Vollestad, Sigmund Hjelset | D Major | 3 | 10B | 172 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Las tres culturas: 3. Los pasos de Jehova | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 144 BPM | ||
Strings of Heaven | Johannes Brahms, Borika Van Den Booren, Berliner Symphoniker, Eduardo Marturet | F Major | 0 | 7B | 72 BPM |
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