Andreas Hammerschmidt, Jordi Savall, Hespèrion XX made "Suite No. 39 in D Minor for Gambas a 5: II. Galliard" available on October 2, 2020. With Suite No. 39 in D Minor for Gambas a 5: II. Galliard being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Hammerschmidt, Various Artists, Jordi Savall's "German Baroque - Deutsches Barock - Hammerschmidt to Telemann" album is number 2 out of 30. Based on our statistics, Suite No. 39 in D Minor for Gambas a 5: II. Galliard's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No. 39 in D Minor for Gambas a 5: II. Galliard by Andreas Hammerschmidt, Jordi Savall, Hespèrion XX to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 2 in G Major for Winds a 5: I. Paduan | Andreas Hammerschmidt, Jordi Savall, Hespèrion XX | G Minor | 0 | 6A | 65 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: b. Vos fugam capietis | Carlo Gesualdo, Owain Park, The Gesualdo Six | F♯ Major | 2 | 2B | 58 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | ||
La Favolla d'Apollo: 18. Piangete, Ninfe "La Dafne" | Marco da Gagliano, Ensemble Pygmalion, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys, Luciana Mancini, Raphael Pichon, Deborah Cachet, Zachary Wilder | A Major | 1 | 11B | 138 BPM | ||
Victoria: O Ildephonse | Tomás Luis de Victoria, Pro Cantione Antiqua, Bruno Turner | G Minor | 2 | 6A | 164 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM |
Section: 0.6629245281219482
End: 0.666196346282959