Andreas Hammerschmidt, Jordi Savall, Hespèrion XX made "Suite No. 39 in D Minor for Gambas a 5: II. Galliard" available on October 2, 2020. With Suite No. 39 in D Minor for Gambas a 5: II. Galliard being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Hammerschmidt, Various Artists, Jordi Savall's "German Baroque - Deutsches Barock - Hammerschmidt to Telemann" album is number 2 out of 30. Based on our statistics, Suite No. 39 in D Minor for Gambas a 5: II. Galliard's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No. 39 in D Minor for Gambas a 5: II. Galliard by Andreas Hammerschmidt, Jordi Savall, Hespèrion XX to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Erforsche mich Gott (Motette) | Andreas Hammerschmidt, Mädchenchor Hannover, Knabenchor Hannover, Gudrun Schröfel, Jorg Breiding | G Minor | 1 | 6A | 131 BPM | ||
Gesegnet ist die Zuversicht, TVWV 1:616: II. 2. Rezitativ (Bass) – Arie (Sopran): Mich jammert dieses Volks | Georg Philipp Telemann, Hamburger Ratsmusik, Simone Eckert, Hanna Zumsande, Klaus Mertens | A Major | 0 | 11B | 138 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Maundy Thursday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Damien Guillon, Collegium Marianum | E Major | 0 | 12B | 123 BPM | ||
Johannes-Passion, BWV 245.1: 30. Aria: Es ist vollbracht | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Konrad Führer | A Minor | 2 | 8A | 125 BPM | ||
Dances: Galliard [22] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | F Major | 1 | 7B | 129 BPM | ||
Credo in F Major: II. Crucifixus à 8 | Antonio Lotti, Le Palais royal, Jean-Philippe Sarcos | B Minor | 2 | 10A | 101 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Agnus Dei from Missa Puer Natus | The Sixteen | F Major | 2 | 7B | 101 BPM | ||
Carissmini: Jephte: "Plorate, filii Israel" | Giacomo Carissimi, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | E Minor | 1 | 9A | 170 BPM | ||
Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM |
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