"Verdi: La Traviata: Prelude to Act 1" by Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra was released on 1982. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La traviata by Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra. The song's track number on the album is #1 out of 42 tracks. Based on our statistics, Verdi: La Traviata: Prelude to Act 1's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La Traviata: Prelude to Act 1 by Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: La Traviata: Prelude to Act 1 being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
O lieb so lang du lieben kannst, S. 298 | Franz Liszt, Leif Ove Andsnes | A♭ Major | 0 | 4B | 70 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning) | Paavo Berglund | E Major | 0 | 12B | 77 BPM | ||
La Traviata / Act 2: "Avrem lieta di maschere la notte" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Daniel Hope, Jacques Ammon, Ensemble des Deutschen Kammerorchesters Berlin | E Major | 1 | 12B | 81 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM |
Section: 0.9401755332946777
End: 0.9435563087463379