Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar's 'The Gadfly Suite, Op. 97a: XII. Finale' came out on January 20, 1997. The duration of The Gadfly Suite, Op. 97a: XII. Finale is about 3 minutes long, at 3:12. Based on our data, "The Gadfly Suite, Op. 97a: XII. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly Suite, Op. 97a: XII. Finale is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Gadfly Suite, Op. 97a: XII. Finale by Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miniature Triptych: III. Allegro moderato | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | E Major | 2 | 12B | 132 BPM | ||
Handel This | Paradox Interactive | F Major | 4 | 7B | 155 BPM | ||
The Throne Room - End Title [Star Wars] | John Williams, Los Angeles Philharmonic, Zubin Mehta | F Major | 3 | 7B | 81 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
String Quartet No. 8 In C Minor, Op. 110 II. Allegro molto (attacca:) | Saint Petersburg Orchestra of the State Hermitage Museum Camerata | E Minor | 2 | 9A | 142 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Sicilienne, Op. 78 (arr. for orchestra) | Gabriel Fauré, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 1 | 5B | 103 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Simon Trpčeski | A Major | 3 | 11B | 106 BPM |
Section: 0.7660496234893799
End: 0.7697644233703613