James Weldon Johnson, Richard Allen made "The Autobiography of an Ex-Colored Man, Chapter 128" available on December 11, 2012. The duration of The Autobiography of an Ex-Colored Man, Chapter 128 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Autobiography of an Ex-Colored Man, Chapter 128's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "The Autobiography of an Ex-Colored Man (Unabridged)". In this album, this song's track order is #60. In terms of popularity, The Autobiography of an Ex-Colored Man, Chapter 128 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Autobiography of an Ex-Colored Man, Chapter 128 by James Weldon Johnson, Richard Allen having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wrapped, Tied, & Tangled | The Gospel Redeemers | A♭ Major | 9 | 4B | 121 BPM | ||
I Sing Because I’m Happy (Arr. R. Dilworth for Mixed Choir & Instrumental Ensemble) | Charles H. Gabriel, BYU Concert Choir, Brent Wells, Lindsay Bastian, CJ Madsen, Michael Iacopucci, Jens Watts | A♭ Major | 6 | 4B | 109 BPM | ||
Ain't Misbehavin' / Lookin' Good But Feelin' Bad / 'Tain't Nobody's Biz-ness If I Do | André DeShields, Nell Carter, Ain't Misbehavin' Ensemble, Armelia McQueen, Ken Page, Charlaine Woodard | G Minor | 2 | 6A | 128 BPM | ||
Something's Coming | Voctave | F Major | 2 | 7B | 58 BPM | ||
Glory (from Selma) | John Stephens, Miami University Men's Glee Club, Jeremy D. Jones | B Major | 1 | 1B | 80 BPM | ||
God Is Good | Regina Belle | F Major | 7 | 7B | 114 BPM | ||
Magic To Do - Pippin/1972 Original Broadway Cast Recording | Stephen Schwartz, Ben Vereen | A Major | 7 | 11B | 119 BPM | ||
Momisms - To the William Tell Overture | Anita Renfroe | D Major | 5 | 10B | 148 BPM | ||
Am I a Soldier of the Cross? | The Zion Travelers | G Major | 4 | 9B | 88 BPM | ||
Dreams | Langston Hughes | D Major | 1 | 10B | 171 BPM |
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