Johann Nepomuk Hummel, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp's 'Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato' came out on June 4, 2013. Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato appears to be safe for all ages as it is not explicit. This song is part of Weber, Mozart & Hummel: Bassoon Concertos by Matthias Rácz, Johannes Klumpp. The song's track number on the album is #7 out of 10 tracks. Based on our statistics, Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato by Johann Nepomuk Hummel, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: II. Allegro moderato | Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon | A♭ Minor | 3 | 1A | 79 BPM | ||
Der Fischer und das Milchmädchen: III. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
E l'uccellino | Giacomo Puccini, Tine Thing Helseth, Kathryn Stott | A Major | 0 | 11B | 110 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: Andante | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | E♭ Minor | 0 | 2A | 105 BPM | ||
Dvořák: Violin Sonatina in G Major, Op. 100, B. 183 "Indian Lament": III. Scherzo. Molto vivace | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | D♭ Major | 1 | 3B | 92 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 4. Saltarello (Presto) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Missa Solemnis in C Major, WoO 12, S74: Kyrie | Johann Nepomuk Hummel, David Griffiths, Zan McKendree-Wright, Patrick Power, Patricia Wright, TOWER Voices New Zealand, New Zealand Symphony Orchestra, Uwe Grodd | C Major | 1 | 8B | 143 BPM | ||
Sonate, Op. 168: II. Allegro scherzando | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | C Major | 1 | 8B | 174 BPM | ||
La capricieuse, Op. 17 | Edward Elgar, Ruggiero Ricci, Ernest Lush | E Minor | 3 | 9A | 92 BPM |
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