"Sonata For Viola And Piano No. 4, Op.11: 1. Phantasie" by Paul Hindemith, Kim Kashkashian, Robert Levin was released on April 25, 1988. The duration of Sonata For Viola And Piano No. 4, Op.11: 1. Phantasie is about 3 minutes long, at 3:09. Based on our data, "Sonata For Viola And Piano No. 4, Op.11: 1. Phantasie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Hindemith, Kim Kashkashian, Robert Levin's "Hindemith: Sonatas For Viola Alone / Piano And Viola Alone" album is number 1 out of 24. The popularity of Sonata For Viola And Piano No. 4, Op.11: 1. Phantasie is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata For Viola And Piano No. 4, Op.11: 1. Phantasie by Paul Hindemith, Kim Kashkashian, Robert Levin to be Presto (very, very fast) because the track has a tempo of 183 BPM, a half-time of 92BPM, and a double-time of 366 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Ludus Tonalis: VII. Interludium (Scherzando) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | ||
Ludus Tonalis: XV. Interludium (Molto largo) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Ludus Tonalis: X. Fuga quinta in E (Vivace) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
String Quartet in F Major: IV. Vif et agite | Maurice Ravel, Cavani Quartet | D Minor | 1 | 7A | 140 BPM |
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