"Sinfonie f-Moll für Orgel Nr. 5, Op. 42 Nr. 1: Toccata" by Charles-Marie Widor, Hans-Dieter Karras was released on 1995. Sinfonie f-Moll für Orgel Nr. 5, Op. 42 Nr. 1: Toccata is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in Hans-Dieter Karras's "Highlights der Orgelmusik" album is number 11 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Sinfonie f-Moll für Orgel Nr. 5, Op. 42 Nr. 1: Toccata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonie f-Moll für Orgel Nr. 5, Op. 42 Nr. 1: Toccata by Charles-Marie Widor, Hans-Dieter Karras to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Metal Angel, Suite 1 (Excerpts): IV. Toccata V | Gunnar Idenstam | F Major | 3 | 7B | 132 BPM | ||
Oboe Concerto in C Major - Arr. Benjamin: 4. Allegro giusto | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | C Major | 1 | 8B | 108 BPM | ||
Sonate No. 1, Opus 42; III - Finale | Alexandre Guilmant, Feike Asma | D Major | 3 | 10B | 56 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
Lyrische Stücke Op. 54 (Band/Volume V): Troldtog/Zug der Zwerge/March of the Trolls | Edvard Grieg, Gerhard Oppitz | B Minor | 0 | 10A | 71 BPM | ||
Haydn: Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale. Allegro | Franz Joseph Haydn, Lucienne Renaudin Vary, Michael Sanderling, Luzerner Sinfonieorchester | E♭ Major | 3 | 5B | 138 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Der Karneval der Tiere, R. 125: IV. Der Schwan | Camille Saint-Saëns, Ferhan & Ferzan Önder, Raphaela Gromes, Berlin Radio Symphony Orchestra, Johannes Zurl | G Major | 0 | 9B | 129 BPM | ||
Organ Symphony No.6 in G Minor, Op.42 No.2: V. Finale: Vivace | Charles-Marie Widor, Joseph Nolan | E Major | 8 | 12B | 146 BPM |
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