"Exhumed" by Pye Corner Audio had its release date on December 18, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 7 in Black Mill Tapes Vol. 5: The Lost Tapes by Pye Corner Audio. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Exhumed is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Exhumed by Pye Corner Audio is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kite High | Freescha | G Minor | 8 | 6A | 135 BPM | ||
Idioms - Pye Corner Audio Remix | Wraetlic, Pye Corner Audio | G Major | 7 | 9B | 100 BPM | ||
Town of Tomorrow Today | The Listeing Center with Pye Corner Audio, Listening Center, Pye Corner Audio | A♭ Major | 4 | 4B | 110 BPM | ||
The Outside | Indian Wells, Soul Island, Andrea Rizzo | B♭ Minor | 7 | 3A | 120 BPM | ||
Subterranean Lakes | Pye Corner Audio | A Minor | 3 | 8A | 116 BPM | ||
Glasspops | Mark Pritchard | A Minor | 3 | 8A | 122 BPM | ||
Very Never (My Mind Extends) | Tomaga, Cathy Lucas | F Major | 9 | 7B | 101 BPM | ||
Canone Infinito | Lorenzo Senni | D♭ Major | 0 | 3B | 82 BPM | ||
Sublime Frequencies of Cairo | Acid Pauli | F♯ Minor | 3 | 11A | 181 BPM | ||
Electronic Rhythm Number Four | Pye Corner Audio | D Major | 6 | 10B | 105 BPM | ||
Zid | Arushi Jain | D♭ Major | 9 | 3B | 130 BPM | ||
Neither/Neither | The Black Dog | G Major | 6 | 9B | 164 BPM | ||
Tottertot | Inwards | E Minor | 5 | 9A | 79 BPM | ||
Standing Crosswise in the Square | Craig Leon | A Major | 6 | 11B | 128 BPM | ||
Dismantle | Andy Stott | D♭ Major | 3 | 3B | 140 BPM | ||
Hangingstones | Craven Faults | D Major | 4 | 10B | 112 BPM | ||
When We Talk | Pantha Du Prince | G Major | 4 | 9B | 118 BPM | ||
Circle 19 | Foam and Sand, Robot Koch | D♭ Major | 3 | 3B | 100 BPM | ||
Qat | Minotaur Shock | C Minor | 6 | 5A | 130 BPM | ||
Tangente | Pole | D♭ Major | 4 | 3B | 96 BPM | ||
Flickering Shadows | Laughing Ears | D♭ Major | 7 | 3B | 196 BPM | ||
Helix III | Kelly Moran | F Minor | 5 | 4A | 120 BPM | ||
Field Tower | Dark Sky | D♭ Major | 8 | 3B | 73 BPM | ||
Dividing Space | Murcof | C Minor | 2 | 5A | 132 BPM | ||
Refraction, Pt. 3 | Loscil | F♯ Major | 7 | 2B | 124 BPM |