Joly Braga Santos, Sue Blair, Bradley Creswick, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto's 'Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: II. Allegro' came out on January 1, 2002. With this song being about 5 minutes long, at 4:42, "Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: II. Allegro" by Joly Braga Santos, Sue Blair, Bradley Creswick, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 10 in Braga Santos: Sinfonietta for Strings / Violin Concerto by Joly Braga Santos, Sue Blair, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto. Based on our statistics, Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: II. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Duplo Concerto for Violin, Cello, Strings and Harp, Op. 42: II. Allegro by Joly Braga Santos, Sue Blair, Bradley Creswick, Alexander Somov, Royal Northern Sinfonia, Alvaro Cassuto is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto, Op. 52: II. Largo | Joly Braga Santos, Goran Filipec, Royal Liverpool Philharmonic Orchestra, Alvaro Cassuto | C Major | 0 | 8B | 101 BPM | ||
Suite No. 1 for Chamber Orchestra: II. Napolitana | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
La Bohème, SC 67, Act III: Speravo di trovarvi qui | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 1 | 7B | 89 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. I (C.A.E.) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Calm Cascades | Marko Celesty, Magical Flute Moments | G Major | 0 | 9B | 89 BPM | ||
La Belle au bois dormant, Op. 66 ; TH 13, Act. I, No. 6: Valse | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Efrem Kurtz | B Minor | 5 | 10A | 94 BPM | ||
Variation 2: I. The Beginning of the End | Matthew Slater, London Metropolitan Orchestra | A♭ Major | 1 | 4B | 131 BPM |
Section: 0.7796902656555176
End: 0.782989501953125