"Adagio For Strings, Op.11/2 - Live" by Samuel Barber, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1992. Since Adagio For Strings, Op.11/2 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Barber: Adagio; Symphony No.1 etc. by Samuel Barber, Baltimore Symphony Orchestra, David Zinman. Adagio For Strings, Op.11/2 - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio For Strings, Op.11/2 - Live by Samuel Barber, Baltimore Symphony Orchestra, David Zinman is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, David Zinman | C Minor | 2 | 5A | 103 BPM | ||
Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 86 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | G Major | 0 | 9B | 62 BPM | ||
"Dolly" Suite for Piano Duet Op.56: Berceuse | Gabriel Fauré, Nash Ensemble, Susan Tomes | E Major | 0 | 12B | 70 BPM | ||
Elevazione for Solo Oboe, Solo Cello, Strings and Organ (arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | ||
Gianni Schicchi: "Oh! mio babbino caro" | Giacomo Puccini, Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | A♭ Major | 2 | 4B | 178 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": 1. Adagio sostenuto | Ludwig van Beethoven, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 75 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 177 BPM |
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