Dylan John Thomas's ' "What a Shame" was released on its scheduled release date, September 23, 2022. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. What a Shame's duration is considered a little bit shorter than the average duration of a typical track. Since What a Shame only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, What a Shame's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since What a Shame by Dylan John Thomas has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What a Shame being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcelona Girl | Corella | F♯ Major | 9 | 2B | 150 BPM | ||
Otherside of Midnight | overpass | A Major | 7 | 11B | 142 BPM | ||
Fallout | Catfish and the Bottlemen | A♭ Major | 9 | 4B | 146 BPM | ||
Lady Messiah | Corella | D Major | 7 | 10B | 108 BPM | ||
Battle of Alesia | Dylan John Thomas | F♯ Minor | 5 | 11A | 134 BPM | ||
Grey Man | The Crooks | F Major | 8 | 7B | 101 BPM | ||
Little Bits | Tom A. Smith | E Major | 8 | 12B | 155 BPM | ||
What's Been And Gone | Stanleys | B Major | 9 | 1B | 132 BPM | ||
Cruella | The Clause | E Major | 8 | 12B | 128 BPM | ||
Carried Away | Bedroom High Club | F Major | 7 | 7B | 126 BPM | ||
Illusive Dreams | SHADE | B♭ Minor | 9 | 3A | 150 BPM | ||
Emily Whyte | DMA'S | B Major | 7 | 1B | 80 BPM | ||
Every Man’s Truth | Gerry Cinnamon | F Major | 5 | 7B | 97 BPM | ||
Fade Away | Vida | B♭ Major | 8 | 6B | 124 BPM | ||
Flammable Lights | CRUZ | A Major | 8 | 11B | 146 BPM | ||
North End Kid | JAMIE WEBSTER | B Major | 7 | 1B | 155 BPM | ||
Ella Malone | Arkayla | D♭ Minor | 8 | 12A | 113 BPM | ||
Fear Will Kill The Future | Alex Spencer | C Major | 8 | 8B | 155 BPM | ||
Back Of The Car | Vistas | F♯ Minor | 8 | 11A | 150 BPM | ||
Never Good Enough | Tom A. Smith | F♯ Minor | 6 | 11A | 119 BPM | ||
Fever | Dylan John Thomas | F♯ Minor | 9 | 11A | 163 BPM | ||
Everything You Should've Done | Shambolics | A♭ Major | 2 | 4B | 80 BPM | ||
Reborn | The Cheap Thrills | E Major | 9 | 12B | 160 BPM | ||
18-30 | Reverend And The Makers | A Major | 8 | 11B | 142 BPM | ||
This Song Is About You | The Enemy | F♯ Major | 9 | 2B | 110 BPM |