"Concerto for Cello and String Orchestra in G Major, G. 480: II. Adagio" by Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra was released on 1983. With this song being about 5 minutes long, at 4:51, "Concerto for Cello and String Orchestra in G Major, G. 480: II. Adagio" by Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Yo-Yo Ma Plays Bach & Boccherini by Yo-Yo Ma. The song's track number on the album is #11 out of 86 tracks. Concerto for Cello and String Orchestra in G Major, G. 480: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto for Cello and String Orchestra in G Major, G. 480: II. Adagio by Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto for Cello and String Orchestra in G Major, G. 480: II. Adagio being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon And Gigue In D Major, P 37: 2. Gigue | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Major | 2 | 11B | 61 BPM | ||
Keyboard Trio No. 27 in C Major, Hob.XV:27: III. Finale: Presto | Franz Joseph Haydn, Kungsbacka Piano Trio | C Major | 1 | 8B | 80 BPM | ||
Quintet No.1 for Guitar and Strings in D minor G.445: 4. Finale (Allegro assai | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Quintetto II In Mi Bemolle Maggiore, Op.10 (1771), E Flat Major G.266: Minuetto, Trio | La Magnifica Comunità, Leonardo Sapere, Daniel Formentelli, Enrico Casazza, Luigi Puxeddu, Luigi Boccherini, Gian Andrea Lodovici, Isabella Longo, Matteo Costa | C Minor | 1 | 5A | 80 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 73: No. 6, Again, as Before, Alone | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | A♭ Major | 1 | 4B | 168 BPM | ||
Dichterliebe, Op. 48, Arr. for Cello and Piano: I. im wunderschönen Monat Mai | Robert Schumann, Jan Vogler, Hélène Grimaud | F Minor | 1 | 4A | 82 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Piano Quartet in E-flat Major, Op.16: I. Grave; Allegro, ma non troppo | Isaac Stern, Jaime Laredo, Yo-Yo Ma, Emanuel Ax | E♭ Major | 1 | 5B | 82 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto | Johannes Brahms, Yo-Yo Ma | F Major | 1 | 7B | 63 BPM |
Section: 0.6774325370788574
End: 0.6810476779937744