"Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio" by Arthur Grumiaux, Clara Haskil was released on May 14, 2013. Since Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 38 out of 64 in Arthur Grumiaux: The Art of the Violin by Arthur Grumiaux. Based on our statistics, Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 7 in C Minor, Op. 30 No. 2: I. Allegro con brio by Arthur Grumiaux, Clara Haskil is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | C Major | 1 | 8B | 73 BPM | ||
String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio | Franz Joseph Haydn, Chiaroscuro Quartet | G Major | 0 | 9B | 83 BPM | ||
Cello Concerto In G Minor: 2. Adagio | Georg Matthias Monn, Jian Wang, Camerata Salzburg | E♭ Major | 0 | 5B | 81 BPM | ||
Nocturne in B Major, Op. 32, No. 1 | Frédéric Chopin, Alicia de Larrocha | E♭ Major | 0 | 5B | 73 BPM | ||
Piano Concerto No.2 in D Minor, Op.40, MWV O11: 2. Adagio. Molto sostenuto | Felix Mendelssohn, András Schiff, Bavarian Radio Symphony Orchestra, Charles Dutoit | D♭ Major | 0 | 3B | 60 BPM | ||
La Capricieuse Op. 17 | Edward Elgar, Arthur Grumiaux, Istvan Hajdu | E Major | 2 | 12B | 135 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Sonatina for Violin and Piano No. 2 in A minor, D.385: 3. Menuetto (Allegro) | Franz Schubert, Arthur Grumiaux, Robert Veyron-Lacroix | E Major | 0 | 12B | 106 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto | Johannes Brahms, Mstislav Rostropovich, Rudolf Serkin | E Minor | 1 | 9A | 127 BPM |
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